![]() funerary paraphernalia from the Tomba di Ignoti (Tomb of Unknown) from the Old Kingdom.a painted fabric from Gebelein dated at about 3500 BC, discovered in 1930 by Giulio Farina.sarcophagi, mummies and books of the dead originally belonging to the "Drovetti collection".the Temple of Ellesyia, donated as part of the International Campaign to Save the Monuments of Nubia.the 'Assemblea dei Re' (Kings Assembly), a term originally indicating a collection of statues representing all the kings of the New Kingdom.There are more than 37,000 items in the museum, covering a period from the Paleolithic to the Coptic era. The new logo, the coordinated image and the exhibition system have been designed by the studio Migliore+Servetto Architects, whose founders, Ico Migliore and Mara Servetto, are creative advisor for the museum. On Apa new layout of the museum was opened. The building itself was remodelled in celebration of the 2006 Winter Olympics, with its main rooms redesigned by Dante Ferretti, and "featured an imaginative use of lighting and mirrors in a spectacular display of some of the most important and impressive Pharaonic statues in the museum collection." The museum became an experiment of the Italian government in privatization of the nation's museums when the Fondazione Museo delle Antichità Egizie was officially established at the end of 2004. Only during the Second World War was some of the material moved to the town of Agliè. Through all these years, the Egyptian collection has always been in Turin, in the building designed for the purpose of housing it, in Via Accademia delle Scienze 6. Its last major acquisition was the small temple of Ellesiya, which the Egyptian government presented to Italy for her assistance during the Nubian monument salvage campaign in the 1960s. The collection was complemented and completed by the finds of Egyptologist Ernesto Schiaparelli, during his excavation campaigns between 19, which further filled out the collection. In 1833, the collection of Piedmontese Giuseppe Sossio (over 1,200 pieces) was added to the Egyptian Museum. In 1950, a parapsychologist was contacted to pinpoint them, to no avail. The time Champollion spent in Turin studying the texts is also the origin of a legend about the mysterious disappearance of the " Papiro dei Re", that was only later found and of which some portions are still unavailable. In the same year, Jean-François Champollion used the huge Turin collection of papyri to test his breakthroughs in deciphering the hieroglyphic writing. In 1824, King Charles Felix acquired the material from the Drovetti collection (5,268 pieces, including 100 statues, 170 papyri, stelae, mummies, and other items), that the French General Consul, Bernardino Drovetti, had built during his stay in Egypt. Donati returned with 300 pieces recovered from Karnak and Coptos, which became the nucleus of the Turin collection. This exotic piece spurred King Charles Emmanuel III to commission botanist Vitaliano Donati to travel to Egypt in 1753 and acquire items from its past. The first object having an association with Egypt to arrive in Turin was the Mensa Isiaca in 1630, an altar table in imitation of Egyptian style, which Dulu Jones suggests had been created for a temple to Isis in Rome. ![]()
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